From the ring of the Nibelung to Wagner's parsifal; A look at the conception of art as a mystical and sacred instrument by Rogelio de Egusquiza

In each historical period, art has always had its own way of expressing itself, and the influential role of myths and legends in some periods is undeniable, and many works have been created in line with each other over time for the evolution of art. .The art of each era is based on a particular idea and each period has a background to present a work of art. Most anthropologists have considered the creation of myths to be a characteristic of human nature. Plato, Aristotle, and other philosophers such as Schelling emphasized the need for myth in art. The artistic significance of myths lies in their power to express the truth of human values.The myth of art is a kind of spontaneous narrative in which psychological realities, especially fears and hopes, are expressed in a tangible and more dramatic language. (Pakbaz Ruin, ۱۳۷۸)Symbolic forms and myths can have a special importance in the concept of painting due to its cultural load and belief values, especially its confrontation with modern society will create a new concept in this regard. Due to the importance of this topic in this article, both from the semantic and structural aspects, we will examine the paradigm of creation of Rogelio de Egusquiza's works in his works in two decades since ۱۸۷۹ according to the influence of Wagner.

کلیدواژه ها:

Myths ، Symbolic forms ، Rogelio de Egusquiza ، Richard Wagner ، Parsifal.